Curtain Painting- The Archive as threshold/ as site of disturbance
Operating simultaneously as painting and sculpture, these curtains invite—or at times require—the viewer to physically enter and pass through fragments of the archive. In doing so, the legibility of the image is momentarily disrupted, and the viewer’s movement unsettles the traditional relationship between body and artwork. Through this intimate and kinetic engagement, the archive is not only re-entered but reanimated. The work transforms into a porous, breathing membrane rather than a sealed container—shifting the archive from static memory into lived, embodied experience.